On books and reading: #1
One of our most favorite pastimes with the children is reading. We love to snuggle into one of the recliners or the sofa and read aloud. Not only is the choice of reading material extremely important, but the investment on the part of the reader is critical. You must be absurdly dramatic, using voices and gestures, modulating tones, changing volume, and mastering the art of dramatic pause and repetition. Practice makes perfect, and you must remain keenly attuned to your audience throughout the performance to grab and hold their attention. Ad lib, growl, crunch, hiss, bark, giggle…..whatever it takes….and then have them imitate you, only urge them to do it better!
A common initial mistake is choosing books that are not suitable for the age level. Your first grandchild may be extremely bright –perhaps even advanced—but trying to read War and Peace at age 3 is not going to go over well! Start early with simple picture books. Books that have 4-6 big pictures of familiar objects and people, drawn with bold colors and big print work well. Say the word to the child, for example, “car”. Point to the car on the page. Ask the child to point to the car. Go on to other objects: apple, bicycle, carrot, dog, fire engine, house, etc., using inflection to convey interest and cheer when the child correctly points to the object. Soon the child will start trying to say the word to you, and point to the object. Children also love all kinds of rhyming books, even nonsense ones, such as Hop on Pop and Fox in Socks (my personal nemesis). Early books of simple poetry capture both ear and eye. If you choose books that are too advanced for them, even an Oscar caliber rendition will not sustain their attention.
Make use of your local library. Even if the children don’t live in the same town as you, you can still take them to your library. It is a great place for trying out books, getting a feel for ones they might like well enough to own. You also can look them up on websites such as amazon.com and search beginning reader books using a popular search engine such as google, but your best bet is to talk with other grandparents and find out their personal favorites and age recommendations.
Here is the beginning of a list which I hope you readers will aid and abet by commenting on the post or emailing recommendations to me at
karen.weinhold@comcast.net. These are mine, my daughter’s and my friend Linda’s. There will be many more suggestions in future posts, and if you are looking for something in particular, just ask.
Good Night Moon by Margaret Wise Brown and Clement Hurd
Amazon.comPerhaps the perfect children's bedtime book, Goodnight Moon is a short poem of goodnight wishes from a young rabbit preparing for--or attempting to postpone--his own slumber. He says goodnight to every object in sight and within earshot, including the "quiet old lady whispering hush." Clement Hurd's illustrations are simple and effective, alternating between small ink drawings and wide, brightly colored views of the little rabbit's room.
Finding all of the items mentioned throughout the book within the pictures is a good bedtime activity--a reappearing little mouse is particularly pesky. By the end of the little rabbit's goodnight poem, the story has quieted to a whisper, and the drawings have darkened with nightfall. As you turn the last page, you can expect a sleepy smile and at least a yawn or two. (Picture book)
Hop on Pop by Dr. Seuss Ages 3-7
Amazon.comFirst published in 1963, Hop on Pop remains a perennial favorite when it comes to teaching kids to read. Here, as in most of his extensive body of work, Dr. Seuss creates uncomplicated, monosyllabic rhymes to foster learning and inspire children to read. But what was radical about this little book at the time of publication (and what makes it still compelling today) is Seuss's departure from the traditionally dull pictures and sentences used in reading primers. In contrast, the illustrations here are wild and wonderful, and the accompanying language, while simple, is delightfully silly. For example, the rhyme "THREE TREE / Three fish in a tree / Fish in a tree? / How can that be?" is brought to life with a trio of plump, self-satisfied fish perched atop globular branches as two stymied hybrid dog-rabbit-humanoids look on in consternation. Hop on Pop does much more than teach children the basics of word construction, it also introduces them to the incomparable pleasure of reading a book. (Ages Baby to Preschooler)
Are You My Mother? by P. D. Eastman Ages 3-7
Amazon.comThis is the classic from which many of our staff first learned to read, starting us on a path of unremitting bibliophilia. Are You My Mother? follows a confused baby bird who's been denied the experience of imprinting as he asks cows, planes, and steam shovels the Big Question. In the end he is happily reunited with his maternal parent in a glorious moment of recognition. --This text refers to the
Hardcover edition.
The Very Hungry Caterpillar by Eric Carle Ages 3-7
Amazon.comWith its lovely, humorous illustrations and wonderful narrative about a hungry caterpillar growing up to be a beautiful butterfly, Eric Carle's story touches anyone who still has some growing to do. Along with reassuring repetition--"He was still hungry ..."--the book includes some wonderful interactive moments: what youngster can resist sticking a finger through that hole in the page as his ravenous friend makes his way through various delicacies? --This text refers to the
Hardcover edition.
Guess How Much I Love You? by Sam Bratney and Anita Jeram
From Publishers WeeklyFresh as a fiddlehead fern in spring, this beguiling bedtime tale features a pip of a young rabbit and his indulgent parent. Searching for words to tell his dad how much he loves him (and to put off bedtime just an eentsy bit longer), Little Nutbrown Hare comes up with one example after another ("I love you as high as I can hop!"), only to have Big Nutbrown Hare continually up the ante. Finally, on the edge of sleep, he comes up with a showstopper: "I love you right up to the moon." (Dad does top this declaration too, but only after his little bunny falls asleep.) Effused with tenderness, McBratney's wise, endearing and droll story is enriched by the near-monochromatic backdrop of Jeram's pen-and-wash artwork, rendered earthy tones of moss, soft brown and gray for a visually quieting effect just right for that last soothing tale before sleep. Ages 3-up. Copyright 1995 Reed Business Information, Inc. --This text refers to the
Hardcover edition
Mike Mulligan and His Steam Shovel by Virginia Lee Burton Ages 3-6
From School Library JournalKindergarten-Grade 3 - Author/illustrator Virginia Lee Burton's classic tale comes to life in this jubilant orchestral rendition. Composer and conductor Stephen Simon makes use of strings, brass, winds, and percussion in the telling of the tale, but no other instrument is used as effectively as the Irish bagpipes that present Mike's theme. Narrated by Yadu, this production faithfully follows the story of Mike Mulligan and his steam shovel, Mary Ann, as they prove their worth in the face of new technology. The 18-minute story appears twice on the CD - at the beginning and then again following segments that provide background information on the story, the author, and the composer's various musical techniques. There's also a vocal performance by opera singer James Shaffran of Mike Mulligan's theme song, a jazzy, infectious tune that will have kids singing along. Burton's story still strikes a chord despite its 1939 copyright, and Simon's joyful orchestration is sure to win new fans. - Kathleen Kelly MacMillan, Maryland School for the Deaf, Columbia Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Bats at the Beach by Brian Lies Ages 4-8
From School Library JournalPreSchool-Grade 3–This is the quintessential book about going to the beach complete with overflowing picnic baskets, kite flying, singing around the campfire, and scratchy sand in places where no sand should be. Kids will certainly identify with the exuberant and familiar fun, but what will get them howling is the fact that the characters are bats that are visiting the beach in the moonlight. The rhyming text is grounded in reality with many inventive twists to keep the imagination rolling. There is moon-tan lotion, salted 'skeeters, and bat kites. Where the book truly soars is in the dark yet luminescent art where bat wings glow in the light of the full moon and the sky is a steely blue. The faces on the bats are furry and friendly. These creatures use cocktail umbrellas for beach umbrellas; they hold wing-boat races in red-and-white checked food containers; and when it's time for a late-night snack, they enter the ice-cream shack where a lit light bulb attracts a multitude of succulent bugs. Readers may not be tempted to try marshmallows with bug legs and gossamer wings but that won't keep them from reveling in this grand adventure.–Martha Topol, Traverse Area District Library, Traverse City, MI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
How I became a Pirate by Melinda Long Ages 4-8
From School Library JournalPreSchool-Grade 3-Long has selected an irresistible combination for this age group-pirates and soccer. Jeremy Jacob is building a sand castle when a pirate ship lands nearby. His parents are preoccupied with other chores, so he takes off for an adventure on the high seas to help the men bury their treasure chest. He learns that buccaneers don't bother with manners or bedtimes, which is just fine with him, but it also means no bedtime stories or being tucked in. He tries to teach the pirates to play soccer, at least until the ball gets swallowed by a shark. When a storm hits, forcing the crew to return to shore, Jeremy solves the dilemma of where to bury the treasure-in his own backyard. He even makes it home in time for soccer practice. Paired with Shannon's energetic acrylics of a colorful crew of pop-eyed, snaggly toothed pirates seen from a variety of zany viewpoints (including upside down) and a small boy who is clearly having the time of his life, this rollicking adventure is sure to be a favorite with the storytime crowd.Laurie Edwards, West Shore School District, Camp Hill, PACopyright 2003 Reed Business Information, Inc. --This text refers to the
Hardcover edition.
Not a Box by Melinda Long Ages 4-7
From School Library JournalPreSchool-Grade 1—In bold, unornamented line drawings of a rabbit and a box, the author-illustrator offers a paean to the time-honored imaginative play of young children who can turn a cardboard box into whatever their creativity can conjure. Through a series of paired questions and answers, the rabbit is queried about why he is sitting in, standing on, spraying, or wearing a box. Each time, he insists, "It's not a box!" and the opposite page reveals the many things a small child's pretending can make of one: a race car, a mountain, a burning building, a robot. One important caveat: the younger end of the intended audience is both literal and concrete in their approach to this material. The box itself, drawn as a one-dimensional rectangle, will be perceived by preschoolers to be flat and not readily understood as three-dimensional. Furthermore, those children are likely to interpret the "box's" transformation to be "magic," while five- and six-year-olds are able to make the cognitive conversion from flat rectangle to three-dimensional box and to understand that the transformation has been made by the rabbit's own imagination. Both audiences will enjoy the participatory aspect of identifying each of the rabbit's new inventions. Knowledgeable adults will bring along a large box to aid in understanding and to encourage even more ideas and play.—Kate McClelland, Perrot Memorial Library, Old Greenwich, CT
The Kiss that Missed by David Melling Ages 4-7
From School Library JournalPreSchool-Grade 2-A busy king hurriedly blows his son a goodnight kiss from the hallway, but it misses its target. Being a royal smooch with enchanting powers, it flies off on an adventure through a dark forest full of wild animals and is hotly pursued by a not-so-gallant young knight, who eventually finds himself face to face with an enormous dragon. However, the magical quality of the kiss tames even the wildest of creatures and when the shivering boy fears his demise, he is kissed rather than fried to a crisp. The knight catches the kiss and brings it safely home. Readers will find both the text and the playful, color, cartoon illustrations amusing. Melling captures great expressions in his caricatures of the bewildered prince, the terrified knight and horse, and the gleeful royal family when the kiss is returned. The tale is refreshingly original and relevant, showing a busy family full of love.Be Astengo, Alachua County Library, Gainesville, FLCopyright 2002 Reed Business Information, Inc. --This text refers to the
Hardcover edition.
Fancy Nancy by Jane O’Connor and Robin Preiss Glasser Ages 4-8
From School Library JournalPreSchool-K–Young Nancy, like her literary predecessors Eloise and Olivia, is a glamour queen dropped into a boring world–Nobody in my family is fancy at all. They never even ask for sprinkles. She determines to rescue her relatives from their humdrum existence by giving them lessons and accessorizing their mundane wardrobes. A situation that is charming when observed by adults in real life doesnt translate into a successful picture book. Children pretending to be fabulous creatures is appealing when it is innocent and unforced. This book, despite Glassers wonderfully energetic artwork, is ultimately a story told by adults for adults.–Kathleen Whalin, York Public Library, ME Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Olivia by Ian Falconer Ages 4-8
From Publishers WeeklyCome one, come all for this extraordinary debut for both Falconer and his unforgettable porcine heroine. The author/artist begins this day-in-the-life tale with a kind of behind-the-scenes peek at Olivia. Articles from her wardrobe are strewn across the endpapers-red tights, red sunglasses, a red T-shirt and red tank top-until the title page reveals her selection: a red sailor dress with black-and-white striped tights. "This is Olivia./ She is good at lots of things," the narrator begins, like an emcee introducing the star of the show. The genius of the volume is its economy: the brief text brilliantly plays off the artwork, rendered only in shades of red and black with an occasional background setting; a deceptively simple design unifies each spread. For one such spread, demonstrating "She is very good at wearing people out," Falconer shows Olivia engaged in a variety of activities in 13 black-and-white vignettes, using red sparingly-for a hammer handle, a yo-yo, a ball, a mixing bowl spatula and a jump rope-as she progresses from energetic to spent. Against a completely white background, these vignettes seem to bob on invisible undulating waves, with the intermittent splashes of red creating a sense of movement and urgency-until Olivia's collapse at the lower right-hand corner of the spread beneath a single line of text ("She even wears herself out"). The few full scenes amplify the deadpan humor: a beach setting allows for the full impact of Olivia's spectacular sandcastle model of the Empire State Building; a full-bleed black-and-white image of a tutu- and tiara-clad Olivia bowing to unseen fans answers the narrator's question "What could she be thinking?" as she stares at her favorite painting, featuring Degas's ballerinas, in a museum. Whether in full scenes or vignettes, Falconer keeps the focus on his inimitable protagonist. He clearly understands his audience: a standout spread shows Olivia getting dressed in her red-only wardrobe ("She has to try on everything") in 17 separate fashion poses. Falconer's choice to suggest Olivia with a minimum of details and a masterful black line allows readers to really identify with her-no doubt, they will. There's a little bit of Olivia in everyone. Ages 3-7. (Oct.) Copyright 2000 Reed Business Information, Inc. --This text refers to the
Hardcover edition.
I have many more to offer, but these are a few to get you started. We keep the books in milk crates on the floor in a corner where they are out of the way but easily accessible to the children. Truthfully, I can hardly wait until Jack, almost 8 months, is ready to hunker down and start reading. Presently he is eating a fuzzy book about a duck; I guess I could say he is really getting his teeth into it!